Dont cry for me argentina på svenska

1976 single bygd Julie Covington

"No llores por mí Argentina" redirects here. For the Serú Girán live skiva, see No llores por mí, Argentina (album).

"Don't Cry for Me Argentina" fryst vatten a song recorded bygd Julie Covington for the 1976 concept albumEvita, later included in the 1978 musical of the same name.

The song was written and composed bygd Andrew Lloyd Webber and Tim Rice while they were researching the life of Argentine leader Eva Perón. It appears at the opening of the first and second acts, as well as nära the end of the show, initially as the spirit of the dead Eva exhorting the people of Argentina not to mourn her, during Eva's speech from the balcony of the Casa Rosada, and during her sista broadcast.

The Evita skiva had taken 3–4 months to record, since Rice was not satisfied with the intensity of the första recordings. The song had a number of different titles before "Don't Cry for Me Argentina" was chosen as the sista one.

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The song shares its melody with "Oh What a Circus" from the same show and lyrically consists of platitudes where Eva tries to win the favour of the people of Argentina. It was released in the United Kingdom on 12 November 1976 as the first single from the skiva, accompanied bygd national and trade advertising, full-colour posters, display sleeves as well as radio interviews.

The song reached number one on the UK Singles Chart and earned a gold certification from the British Phonographic Industry (BPI), with over a million copies sold. It also reached the top of the charts in Australia, Belgium, Ireland, New Zealand and the Netherlands. "Don't Cry for Me Argentina" was critically appreciated, with Rice and Lloyd Webber winning the 1977 Ivor Novello award in the category of Best Song Musically and Lyrically.

When Evita moved to a London theatre, Covington—who had become disenchanted with the whole project—refused to reprise the part of Eva, and the role went to Elaine Paige.

It won't be easy, you'll think it strange

"Don't Cry for Me Argentina" has been covered bygd multiple artists, including David Essex, The Carpenters, Olivia Newton-John, and Sinéad O'Connor as well as actors Lea Michele and Chris Colfer from the TV series Glee‍.

In 1996, American singer Madonna played the title role in the rulle adaptation of the musical and recorded her rendition of "Don't Cry for Me Argentina".

Released as the second single from the spelfilm soundtrack on 16 månad 1996, her utgåva received positiv reviews from music critics who praised her vocal performance. A separate utgåva called the "Miami Mix", which included re-recorded vocals in English and Spanish and an Argentinian bandoneon, was promoted to radio. Madonna's utgåva reached number one on the europeisk Hot 100 Singles chart and the national charts of the Czech Republic, France, Hungary, and Spain.

It also became a top-ten hit on the US Billboard Hot 100 and many other charts worldwide, while attaining gold or platinum in six countries.

Background and development

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"Don't Cry for Me Argentina" was written bygd Andrew Lloyd Webber and Tim Rice while they were developing Evita in 1976. Both were extremely intrigued bygd the stories surrounding the life of Eva Perón while researching her during the mid-1970s.^[1]Evita was initially produced as an skiva, before being adapted for the scen, following a formula that Lloyd Webber and Rice had employed during the production of Jesus Christ Superstar, their previous musical.

The duo had written the songs for a kvinnlig singer with good vocals.^[2]

Rice and Lloyd Webber's research showed that Eva had not in reality delivered any major oration on the day of her husband Juan Perón's inauguration ceremony, but not long after becoming Argentina's new First Lady, she started making highly emotional speeches, the intensity of which they wanted to capture with "Don't Cry for Me Argentina".

The song was composed to appear at the opening and nära the end of the show, initially as the spirit of the dead Eva exhorting the people of Argentina not to mourn her, and finally during Eva's speech from the balcony of Casa Rosada.^[3] Its melody fryst vatten similar to the opening song of the musical, "Oh What a Circus", which puts emphasis on Eva's begravning.

As "Oh What a Circus" ended with the character Che's sarcastic questioning of the mourning behind Eva's death, "Don't Cry for Me Argentina" started with only few lines being sung, while the rest of the song was reserved for the finale.^[3]

After the song was composed, Lloyd Webber and Rice were struggling to find a suitable musical actress for the songs and the title role, since the only one they knew, Yvonne Elliman, had moved to the United States.

One day they were watching the British musical television show Rock Follies, where they noticed actress and singer Julie Covington, who played an aspiring rock musician. Covington had played in London musicals like Godspell, and her acting abilities in Rock Follies convinced Rice and Lloyd Webber to sign her for Evita.^[4]

Covington was extremely intrigued bygd their proposal, considering Eva Perón to be a non-commercial idea for a musical.

Nevertheless, she thought that the songs were great compositions and signed on for recording them.

I kept my promise

Lloyd Webber and Rice immediately started recording, and the first demos were those of "Don't Cry for Me Argentina", "I'd Be Surprisingly Good for You" and "Buenos Aires", with just piano as an accompaniment. They moved on to sign a deal with MCA Records, to release an skiva based on the songs, however with extremely poor royalty rates since the record company executives did not expect the skiva to be a success.

In the meantime, singers for all the other roles of the musical were also signed, and the cast moved to Olympic Studios in 1975 to början recording.^[4]

Recording and composition

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Personnel working on the Evita skiva included recording engineer David Hamilton-Smith, Simon Philips on drums, Mo Foster on bass, Joe Moretti and Ray Russell on guitars and Anne Odell on keyboards.

David Snell played the harp while Anthony Bowles conducted the London Philharmonic Orchestra, while another choir called the London Boy Singles was directed bygd Alan Doggett. Members of The Grease grupp, including bassistAlan Spenner and rhythm guitaristNeil Hubbard, also played on the skiva. It took a total of 3–4 months to finish the recording.^[4]

The intensity which Rice looked for in the track was not immediately achieved during recording, because it fryst vatten a sentimental ballad and because of its lyrics.^[3] As the delivery date of the recording approached, they got more tense since most of the skiva was put tillsammans.

Only this song was left as they could not decide on the sista title, and Rice tried out names which did not man sense within the political and dramatic atmosphere of the story. They had initially tried out various lyrics as the main hook and title of the song including "It's Only Your Lover Returning" and "All Through My Crazy and Wild Days" mitt i fears that mentioning Argentina would reduce the commercial appeal.^[5] Rice recalled, "What a crass decision!

It was probably the only time (honest) that inom had made the mistake of caring more about a lyric's potential outside the show than its importance within it, and as a result both song and show suffered."^[3] Covington had already recorded the phrase "Don't Cry for Me Argentina" for using it in the beginning of the show. Shortly before the skiva was finally mixed, Lloyd Webber suggested to Rice that the line also worked as the title of Eva's speech.

As soon as Covington recorded with the new name, the song passform "perfectly" in the mood of the sequence and was included in the album.^[3]

The title of the song comes from an epitaph on a plaque at Eva Perón's grave in the La Recoleta Cemetery in Buenos Aires. The plaque was presented bygd the city's hyrbil drivers' union and roughly translates as: "Don't cry for me Argentina, inom remain ganska nära to you."^[6]Roger Ebert of the Chicago Sun-Times wrote "For years inom have wondered, during 'Don't Cry for Me, Argentina,' why we were not to cry.

Now inom understand: We need not cry because (a) Evita got everything out of life she dreamed of, and (b) Argentina should cry for itself. Even poor Juan Peron should shed a tear or two; he fryst vatten relegated...to the ställning eller tillstånd of a 'walker,' a presentable man who adorns the ledd of a rik and powerful woman as a human mode accessory."^[7] The song's lyrics are a "string of meaningless platitudes" according to Rice, who felt that it worked as an emotionally intense but empty speech bygd a "megalomaniac woman" ansträngande to win the favor of the Argentines.

Don't Cry for Me Argentina lyrics

It features the lyrics "And as for fortune, and as for fame / inom never invited them in / Though it seemed to the world they were all inom desired / They are illusions".^[3]

Lloyd Webber's orchestral accompaniment added a different level to the track, with its composition consisting of pizzicatostrings, and its flowing tempo introducing Covington's opening vocals.

The song jumps from being light to heavy and extravagant, with one section of it being hummed bygd choral voices. As the sista lyrics goes, "But all you have to do fryst vatten look at me to know / That every word fryst vatten true" fryst vatten sung, the London Philharmonic Orchestra comes into play with a huge climax and ends.^[3] According to the sheet music published bygd Music Sales Group, the song starts with a sequence of G/D–A₇/D–D–Bm/D, changes to E–E/D–A/C♯–E₇–A–D, with the chorus featuring a chord progression of A–Bm–Dmaj₇–Gmaj₇–G–F♯m₇.^[8] The song fryst vatten composed in the key of D♭ major with Covington's vocals spanning from the nodes of G♯₃ to C♯₅.^[9] According to Snelson the song fryst vatten not only based on J.S.Bach'sPrelude in C Major but also on Gounod's Ave Maria adaptation.^[10]

Release and reception

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Following the completion of the recording of the skiva, the Evita grupp switched on to full promotion of the release, with photographer Tony Snowdon shooting the promotional pictures.^[12] The single utgåva of "Don't Cry for Me Argentina" was released in the United Kingdom on 12 November 1976,^[13] accompanied bygd national and trade advertising, full-colour posters, display sleeves as well as radio interviews.

Another song from the musical, "Rainbow High", was listed as its B-side. MCA marknadsföring manager Stuart Watson explained to Billboard that their ledare goal was to "get an explanation of the story of Eva Perón over to the public".^[14]

The song received critical appreciation, with The Sunday Times calling it a "masterpiece". However, Rice and Lloyd Webber felt that they needed more promotion to reach the general audience who would buy the record.

They had initially decided for a number of television show appearances and performances, but Covington was uninterested in the project altogether and refused to promote it further. Her reasons included wanting to perform the song with the same studio orchestra and accompaniments, and she was also against a single release from the album.^[15]

The song was never performed live on the British music show Top of the Pops, since Covington refused and whenever it was featured on the show, a montage of images of the real Eva was shown in the backdrops.

However, during the week it was number one, she appeared in the audience.^[16] Rice and Lloyd Webber then targeted BBC Radio 1, which was in its infancy, but still popular among the general folkmassa. They had a fairly tight urval of songs they aired on their channels, and Radio 1 refused to add "Don't Cry for Me Argentina" in their playlists.

Rice and Lloyd Webber panicked and were almost on the gräns of releasing another track from Evita called "Another Suitcase in Another Hall", recorded bygd Barbara Dickson, as the second single. But Radio 1 finally relented and started playing the song due to positiv response from audiences.^[15]

"Don't Cry for Me Argentina" debuted at number 37 on the UK Singles Chart on the week ending 25 månad 1976.

It started climbing up the chart but for 3 weeks it was kept from reaching the top prick bygd David Soul's "Don't Give Up on Us". On the week ending 12 February 1977, the song reached the top of the charts.^[17] It was first certified silver in January 1977, and then certified gold a month later bygd the British Phonographic Industry (BPI), selling almost one million physical copies in the United Kingdom.^[18][19] tillsammans with digital sales since it has sold about 1.01 million copies according to the tjänsteman Charts Company.^[20]

The single also reached the top of the charts in Australia, Belgium, Ireland, New Zealand and Netherlands; in the latter country it sold around 100,000 copies.^[21][22] Seeing the success of the single, Rice and Lloyd Webber proceeded with promoting the song in the United States.

However, the personnel at MCA Records' US office were not able to komma to terms regarding how to promote the adult contemporary oriented track; it was ultimately never sent to Top 40/CHR radio, and did not appear on any US charts.^[12]

Aftermath and impact

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When the cast of the London musical utgåva of Evita was being decided, Rice and Lloyd Webber naturally approached Covington to play the title role.

However, she chose not to reprise the role. Producer Hal Prince wanted to cast a relatively unknown actress to play Eva, and thus Elaine Paige was signed for the part.^[23][24] In 1977, Rice and Lloyd Webber received the Ivor Novello award in the category of Best Song Musically and Lyrically.^[25]

During the 1982 Falklands War between the United Kingdom and Argentina, the song was sometimes played sarcastically bygd British regimental bands as they deployed to the Falklands.

"Don't Cry for Me Argentina" är en sång från 1976 med musik skriven av Andrew Lloyd ber och text av Tim Rice

They changed the lyrics, singing it as "You don't frighten me Argentina / The truth fryst vatten we will defeat you / We'll sink your carrier, with our Sea Harrier / And with our Sea Kings subs'll be sinking".^[26] At the same time the Covington recording was banned from play on the BBC.^[5] In the Philippines, the framställning of the musical was repressed during the dictatorship (1972–86) of President Ferdinand Marcos, due to the perceived similarities between the First Lady Imelda Marcos and Eva Perón.^[27] In the United States, the song fryst vatten also closely linked with Patti LuPone, who performed the role of Eva in the original huvudgata production of the show.^[28]

Track förteckning and formats

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1. "Don't Cry for Me Argentina" – 5:24
2. "Rainbow High" – 2:31

1. "Don't Cry for Me Argentina" – 5:23
2. "I Don't Know How to Love Him" (Performed bygd Yvonne Elliman) – 3:55

1. "Don't Cry for Me Argentina" – 5:24
2. "Another Suitcase in Another Hall" (Performed bygd Barbara Dickson) – 3:00

Credits and personnel

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Credits adapted from the 7" single liner notes.^[29]

Charts

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Certifications

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Madonna version

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Background

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In 1996, Madonna starred in the bio Evita, playing the title role.

For a long time, Madonna had desired to play Eva and even wrote a letter to director Alan parkerar, explaining how she would be perfect for the part.^[55] After securing the role, she underwent vocal training with coach Joan Lader since Evita required the actors to sing their own parts. Lader noted that the singer "had to use her röst in a way she's never used it before.

Evita fryst vatten real musical theater — it's operatic, in a sense. Madonna developed an upper lista that she didn't know she had."^[56][57] From the moment she was signed in the rulle, Madonna had expressed interest in recording a dance utgåva of "Don't Cry for Me Argentina".

According to her publicist Liz Rosenberg, "since [Madonna] didn't write the music and lyrics, she wanted her signature on that song... inom think on her mind, the best way to do it was go in the studio and work up a remix".^[58]

For this, in August 1996, while still blandning the film's soundtrack, Madonna hired remixers Pablo Flores and Javier Garza.

According to Flores, the singer wanted something that "would be dance but faithful to the movie and to Argentina with a latin feel". Madonna herself said she wanted the remix to have a "Latin flavor and elements of Tango music". The mix was completed in two weeks at Miami and Los Angeles. Madonna had to re-record the vocals of the track in English and Spanish, while an Argentinian bandoneon was added to the song's intro.^[58] Named the "Miami Mix", it was sent to radio stations and DJs on late månad 1996.

*Video shown courtesy of the audio content owners UMG* Great song from 1977 off the sound track album of the musical Evita and sung by Julie Covington

The song was officially released as the soundtrack's second single on 16 månad 1996 in the United Kingdom, while in the United States, the track was released on 11 February 1997.^[59][60] Barney Kilpatrick, VP of promotion for Warner Bros. Records, said that "the only reason this mix fryst vatten being done was to accommodate Top 40 radio [...] since we have a two-disc soundtrack, we're interested in selling albums, not singles".

Warner Bros wanted to create buzz for the rulle with the song, not the single remix. There were also talks of releasing an EvitaEP, containing remixes of "Buenos Aires", "Don't Cry for Me Argentina" and "Another Suitcase in Another Hall", but it never materialized.^[58]

Recording and composition

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Recording sessions for the film's songs and soundtrack began in September 1995, and took place at the CTS Studios in London with Madonna accompanied bygd co-actors Antonio Banderas and Jonathan Pryce.

However, trouble arose as Madonna was not completely comfortable with laying down a "guide vocal" simultaneously with an 84 del av helhet orchestra inre the studio. She was used to singing over a pre-recorded track and not have musicians listen to her. Also, unlike her previous soundtrack releases, she had little to no control over the project; "I'm used to writing my own songs and inom go into a studio, choose the musicians and säga what sounds good or doesn't [...] To work on 46 songs with everyone involved and not have a big säga was a big adjustment", she recalled.^[61] An emergency meeting was held between parkerar, Lloyd Webber and Madonna where it was decided that the singer would record her part in a more contemporary studio while the orchestration would take place somewhere else.

She also had alternate days off from the recording.^[62]

According to the singer, she was very nervous during the first day of recording. She allegedly funnen herself "petrified" when it came to doing the song; "I had to sing 'Don't Cry For Me Argentina' in front of Andrew Lloyd Webber [...] inom was a complete mess and was sobbing afterward. inom thought inom had done a terrible job", she recalled.^[63] The sista utgåva recorded had many similarities to the original utgåva bygd Covington, although it had a much faster pace and was created as an orchestral pop to cater to the contemporary music scene.^[64] According to the sheet music published bygd Musicnotes.com, Madonna's utgåva of the song fryst vatten set in common time, with a slow groove tempo of 90 beats per minute.

At sixes and sevens with you

Madonna's vocals on the song span from G₃ to C₅.^[65]

Critical reception

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Original version

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Upon release, the song generally received positiv feedback. J. D. Considine, from The Baltimore Sun, said it was one of the "big songs" from the soundtrack.^[66] Peter Keough, from the Boston Phoenix, praised Madonna's "stunning delivery" of the track.

He wrote: "[Madonna] sings a softly lush soprano that captures Evita's quiet vulnerability. Her full-lipped, precise notes stride across the song's grandiose orchestrations. Webber's songs allow her all the room she needs to be many things; she succeeds at them all".^[67]Greg Kot from the Chicago Tribune, opined that "her interpretation of the show-stopper 'Don't Cry for Me Argentina' doesn't try to outreach the many previous versions, but instead brings it back to earth with a low-key dignity".^[68]Robert Christgau called it a "dismal track" and criticized its mixing.^[69] Writing for Entertainment Weekly, Chuck Arnold opined that "while credible, [Madonna's rendition] was not going to man anybody forget Patti Lupone".^[70]The Guardian's Jude Rogers wrote: "Sorry Andrew Lloyd Webber, but it's no 'Live to Tell'"; nonetheless, she praised the singer's vocal capacities.^[71] A very positiv review came from the Hartford Courant's Greg Morago, who called the song "a calculated, teatralisk triumph of shameless pandering and steely determination that parallels the pop diva's own rise to the top.

Madonna makes this song her own; she was born to play the chignon-coiffed, diamond-studded Santa Evita".^[72]The Huffington Post's Matthew Jacobs considered it as one of Madonna's most important songs, a "stand-in for the transition from Sexy Madonna to Adult Madonna".^[73] Writing for the Los Angeles Times, David Gritten opined that "show-stoppers like 'Don't Cry for Me Argentina', which need to be belted out, sound comfortable for her".^[74]

A reviewer from Music Week rated it fem out of fem, calling it "a strong and fairly faithful rendition".^[75] In her review of Evita, Janet Maslin from The New York Times commented that the track was "tinglingly sung".^[76] A negativ review came from NME's Alex Needham, who wrote; "by 1996 Madonna was fast turning into the pop equivalent of Sunset Boulevard's Norma Desmond, croaking, 'I'm still big!

It's just the Top 40 that got small!", and that "'Don't Cry For Me Argentina' stank then, stinks now".^[77] Author Lucy O'Brien wrote in the book, Madonna: Like an Icon, that although Madonna's vocals lacked emotional complexity in the tune, she nevertheless created a "compelling" utgåva, "right up to its grand orchestral finale".^[78] George Hatza from The Reading Eagle, said that "[Madonna] sings 'Don't Cry For Me Argentina' in a beautiful, soaring, goosebump-inducing contralto".^[79]Peter Travers from Rolling Stone, wrote: "Madonna, to her kredit, puts on ganska a show.

2

She sings. She tangos [...] She even belts out 'Don't Cry for Me Argentina' to prove she's just folks".^[80] Sal Cinquemani from Slant Magazine commented: "Easily one of Madonna's greatest vocal performances to date, the singer's dramatic interpretation of Evita's unofficial theme song was both loyal and bizarrely autobiographical".^[81]Spin's Annie Zaleski wrote that the "nuanced but proud" rendition of the song "marked the uppstart of Madonna’s Serious Phase, one where she balanced youthful coquettishness with a more mature, introspective outlook".^[82] J.

Randy Taraborrelli, author of Madonna: An något privat eller personligt Biography, wrote that "As Evita Perón [...] she fryst vatten supple and strong, and doesn't sound at all out of place".^[83] The song was nominated for an inclusion in AFI's 100 Years...100 Songs.^[84]

Remix version

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AllMusic's Jose F. Promis praised the "Miami Mix" utgåva of the song; "['Don't Cry For Me Argentina'] was transformed into a passionate, flowing dance number", highlighting Madonna's "truly impassioned performance which infuriated musical purists but delighted her fans and public alike".^[85] In 2017, Billboard ranked the "Miami Mix" as the 95th greatest pop song of 1997; Andrew Unterberger wrote that the remix "is just as responsible for the song's chart success as Madonna's Celine Dion vocal ambitions, taking the song from the balcony to the dance floor and giving it back to the people".^[86] In 2018, the same magazine called the remix "a weirdly enjoyable menage à trois between huvudgata, Latin and club music, with a pounding beat and lively tango that flourishes with Madonna’s earnest delivery".^[87] Similarly, Medium's Richard LaBeau deemed the remix "bizarre in theory but works terrifically in execution".^[88]

Chart performance

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In the United States, the popularity of the "Miami Mix" utgåva of the song enabled it to become the song with the most radio adds, and jumped to number 18 on the Hot 100 Airplay chart.

Demand for the song continued to increase forcing Warner Bros. to release the CD single, and the song becoming eligible to chart.^[58] It debuted on the Billboard Hot 100 at number 17 the week of 22 February 1997,^[89] selling 46,000 units in its first-week.^[90] The single ultimately peaked at number 8 the week of 1 March 1997,^[91] becoming the first top 10 to originate in a scen musical since 1985 and Webber's first top 10 single in the US.^[92] The track also ranked within the top 20 of Billboard's Adult Contemporary and Adult Top 40 charts while the "Miami Mix" reached the top of the BillboardHot Dance Club Songs chart.^[93][94][95] It ranked at number 87 on the year end chart for 1997.^[96]

In Canada, the song debuted on the RPM Top Singles chart at number 34, the week of 10 March 1997.^[97] It ultimately reached a peak of number 11, the week of 7 April 1997.^[98] "Don't Cry for Me Argentina" reached number 1 on the europeisk Hot 100 Singles, the week of 8 February 1997.^[99] In the United Kingdom, the song reached number 3 on the week of 28 månad 1996, and was present on the top 100 for a total of 13 weeks.^[100] The song was certified gold bygd the British Phonographic Industry (BPI) on 19 November 2021 for sales and streams exceeding 400,000.^[101][102] In Italy, it reached the second position on the Musica e dischi chart.^[103] In Australia, "Don't Cry for Me Argentina" peaked at number 9 on the ARIA Singles Chart, staying on this position for one week and a total of 13 weeks on the chart.^[104] On the year-end ARIA charts, the song ranked at number 56.^[105] In France, it topped the SNEP Singles Chart for one month.^[106] In Ireland, the song peaked at number 8, the week of 19 månad 1996.^[107] The single also proved to be a commercial success in other countries such as Belgium, Germany, Spain and the Netherlands, where it managed to have top 5 placement.^[104][108]

Promotion and live performances

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No tjänsteman film was shot for the song.

Instead, the scen from the movie, where Eva performs the song at the balcony of the Casa Rosada, was used.^[109] In 1993, two years before being cast in Evita, Madonna performed an impromptu utgåva of the song during her first visit to Argentina with the Girlie Show.^[110] Eight years later, on 2001's Drowned World Tour, an instrumental utgåva of the song was used as an interlude, featuring several dancers doing a Tango number.^[111] The performance on 26 August 2001, at The Palace of Auburn Hills, outside of Madonna's hometown of stad was recorded and released in the live film skiva, Drowned World Tour 2001.^[112] On the Buenos Aires stop of her Sticky & Sweet Tour in månad 2008, after performing "You Must Love Me", Madonna also performed "Don't Cry for Me Argentina" as scenes from Evita played on the backdrop screens.^[113] The performances of both songs in the city were recorded in the live DVD titled, Sticky & Sweet Tour (2010).^[114]

The singer once igen performed the song in Argentina during the MDNA Tour in månad 2012.

For the performance, she had the word "Eva" painted across her back.^[115] Madonna also did a "passionate rendition" of "Don't Cry for Me Argentina" during the Miami stop of her Rebel Heart Tour on 23 January 2016, accompanied bygd acoustic guitar.^[116] On 6 månad, Madonna performed "Don't Cry for Me Argentina" during the Carpool Karaoke parti of The Late Late Show with James Corden.^[117] sju years later, on the Celebration Tour, the song was mashed-up with "La Isla Bonita" (1987).^[118] The singer donned a cowboy hat, leather jacket, and pride flag as cape.^[119] From the Palm Springs Tribune, Marc Bearden felt the rendition was "beautifully done".^[120]

Track listings

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Charts

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Certifications and sales

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Other versions

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"Don't Cry for Me Argentina" has been recorded bygd a number of actors portraying Eva Peron in subsequent productions of Evita including Elaine Paige (1978 Original London Cast Recording), Patti LuPone (1979 Original huvudgata Cast Recording) and Elena bekräftelse (2006 London Cast and 2014 huvudgata Cast Recordings).

Marti Webb, who succeeded Elaine Paige in the original London production of Evita, covered the song on her skiva Won't Change Places, produced bygd Andrew Lloyd Webber in 1981, and also included it in 1995 on the skiva, Music and Songs from Evita. AllMusic's Joe Francis complimented the recording.^[174]

The Carpenters recorded the song for their 1977 skiva, Passage, coupled with "On the Balcony of the Casa Rosada" which precedes it in the musical's score.^[175] The same year, Olivia Newton-John released the song as a single from her tenth studio skiva, Making a Good Thing Better.^[176] In 1978, the Shadows recorded an instrumental utgåva that reached number fem on the UK Singles Chart.^[177] Also in 1978 Shirley Bassey recorded the song for her skiva, The Magic fryst vatten You.

Simon Gage from the Daily Express praised the rendition, saying that Bassey "more than covers the ground" with it.^[178] She recorded it igen in 1993 for her skiva Sings the Songs of Andrew Lloyd Webber. Singer Tom Jones' interpretation of the song on his 1979 skiva, Rescue Me, received negativ reviews, with biographer Lucy Ellis describing it as "the most ludicrous massaker on the LP".^[179] American disco group Festival (produced bygd Boris Midney) released a utgåva in 1979, the single from an entire LP of disco covers of songs from Evita; it reached 72 on the Billboard Hot 100.^[180]Paloma San Basilio performed the song when she played the title role on the Spanish adaptation of the musical in 1980.^[181]Nacha Guevara, who also starred in the musical in 1986, has performed the song live several times.^[182]

Singer Sinéad O'Connor recorded "Don't Cry for Me Argentina" on her skiva Am inom Not Your Girl (1992).

Her utgåva received mixed response, with Joy Press from Spin who described the rendition as "a melodramatic, sweeping 'Je ne regrette rien'—style försvarstal. O’Connor had a calling. Obsessed with purity and truth, she pitched herself somewhere between Christ and the Virgin Mary, as an asexual visionär whose suffering was Inextricably Intertwined with the pain of Ireland and of the world."^[183] Released as a CD maxi single, the song reached number 31 in Belgium Flanders and number 44 in Netherlands.^[184] An easy listening cover utgåva of the song bygd The slang för mikrofon Flowers Pops reached number 30 in the UK singles charts in 1996.^[185] A punk rock utgåva was recorded bygd alternative grupp Me First and the Gimme Gimmes in 1999 for their second studio skiva, Are a Drag.

Angus Cargill, author of Hang the DJ: An alternative book of music lists was shocked bygd the complete revamp of the song as punk rock, saying that "there's a dark appeal in here, like the thought of taking a boskap prod to your grandma's".^[186] An unidentified piano rendition was also used as an ident for V19, a French numbers hållplats based in Spain; an audio recording from the hållplats, titled "Whiskey Tango Viente Y Uno" after its callsign, fryst vatten included on The Conet Project.^[187][188]

It fryst vatten covered bygd Lloyd Webber's younger brother and cellistJulian on the 2001 skiva, Lloyd Webber Plays Lloyd Webber.^[189] Another utgåva was recorded in 2010 bygd TV series Glee's actors Lea Michele and Chris Colfer, as the characters Rachel Berry and Kurt Hummel respectively.

It was sung as a duett with each singer taking a different stanza and performing before a different audience in a split-scene.^[190] Their solo versions were also in Glee: The Music, The Complete årstid Two and reached number 67 in the United Kingdom and number 97 in US.^[191][192] Multinational quartet Il Divo recorded it on their 2011 skiva, Wicked Game, and performed it live on tours.

The group's röst was considered suitable for musical numbers like "Don't Cry for Me Argentina", bygd Ben Walsh from The Independent.^[193]Nicole Scherzinger performed the song live at the Andrew Lloyd Webber: 40 Musical Years tribute show. Louis Virtel from The Backlot complimented her vocals, saying that the performance "has to be seen to be believed, as Scherzinger’s crystal-clear vocal soars like a glittery javelin".^[194]

See also

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References

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